Mader Stublic Wiermann lighting display, Uniqa tower, Vienna. Image from cityofsound.com

On Thursday 24 June 2010 I will be giving a talk at the Interactive Architecture 2010 conference, as part of the London Festival of Architecture.

Featuring an impressive lineup of speakers ranging from Duncan Wilson of Arup Foresight to Usman Haque of Haque Design and Research, and chaired by Fiddian Warman of Soda Creative, the conference will be: “A forum for the building design community to gather and share ideas and experiences around exploiting new technologies to enable the built environment to dynamically respond to people in or around it.” Here is an overview of the conference themes and speakers:

• Sensory: Sound and light
  • Michael Spencer of Sound Strategies
  • Usman Haque of Haque Design and Research
  • UVA
• Metaphysical: Materials and structures
  • Armand Terrulli of Vector Foiltec
  • Duncan Wilson of Arup Foresight and
  • Alexandra Deschamps-Sonsino of TinkerLondon
• Art and Play: Community and interaction
  • Ghislaine Boddington of B>D>S
  • Matt Adams of Blast Theory
  • Eva Rucki of Troika
  • Scott Burnham of Urban Play
• Experiential architecture
  • Alex Haw of Atmos
  • Andrew Whiting of Hut

For more information and to get tickets for the event, please go here.

For an excellent overview and image resource of Interactive Architecture in general, interactivearchitecture.org is a great starting point. Another excellent angle on expressive, performative and responsive facades and architecture, this article by the prolific and inspiring Dan Hill of cityofsound.com is well worth a visit.

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Break that phrase down more and you have a real jewel: “the authenticity of action”.

As a motivating concept for almost any pursuit, it doesn’t get much better than that. It also resonates strongly with one of my favourite quotes from my business side:

“We have a strategic plan. It’s called doing things.”
- Herb Kelleher, Southwest Airlines

I love the simplicity of that statement, and the no-nonsense reality that the most effective strategies are in fact no more complicated than doing things. It was fitting that the invitation for the piece came on the back of a talk I gave to a conference in Italy called The Nameless City, as from both a design and urbanist point of view, the authenticity of action and the simple strategy of doing things is the most effective techniques we can employ against the sameness of our visual, narrative and physical landscapes.

The piece is a fleshed out version of one of my The City as Platform talks, as delivered in Italy. It’s a gorgeous full colour A3 production, so please search for it at your local international magazine source. For more information on the publication, you can download a PDF of their English press release here (2.8MB), which also has contact information if you want to get in touch to get a copy or help distribute them. At the moment, they don’t have a website.

They went with an Urban Play identity to illustrate my text, so until you can get a copy, here’s a couple spreads from the issue:

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For most people with even a passing interest in innovative urban problem-solving, the words Jaime Lerner and Curitiba, Brazil will hold special reverence. Lerner is the urban planner and three-times mayor of Curitiba who transformed the once traffic-congested, economically and environmentally challenged city into one of the world’s most livable urban spaces. This Wednesday at the British Film Institute, London, a documentary exploring his innovative approaches for “transforming problems into solutions” in the city will be shown, and following the screening I will be joining Jaime Lerner on stage to discuss his approach and visionary techniques.

The talk will be hosted by Peter Jenkinson OBE, an exceptional individual himself for his work with creative solutions in the face of limited resources. For those of you in London Wednesday 4 November, please come join us at the BFI for this exceptional opportunity. More information on the evening can be found here. For those unable to attend, please watch the trailer above and go see the film as soon as you can. It is a game-changer for urban strategies.

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From Left: Paul Thompson, David Godber, Scott Burnham, Colin McDowell, Otto von Busch

For those who weren’t able to attend the launch of my publication and the related debate on design hacking at the RSA on Wednesday (and for those who weren’t even close but still want a copy) I’m pleased to say that “Finding the Truth in Systems: In Praise of Design Hacking” is now available for download here (PDF, 291KB).

It was a fantastic night – the panel was sharp and the audience was on form with questions and debate afterwards. One of the great pleasures when chairing an event is opening questions to the floor and having a sea of hands spring up in front of you. And for that to happen with a packed house in the hallowed Great Room of the RSA is a special pleasure indeed.

Winding down later that eve I was glad to see that some live tweets were taking place during the session. From joannejacobs:

With some dialogue carrying on into the next day. From jasecoop:

Thanks to all who came, and for those of you who are just downloading “Finding the Truth in Systems: In Praise of Design Hacking” now, let me know what you think.

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Communal Kitchen, IKEA Hacker style

A couple weeks ago I was in Oslo, Norway, following up on an invitation to give a talk about IKEA Hacker there. It was an easy invitation to accept – for one, it was a great opportunity to spend some time in beautiful Oslo, and two, the evening was being sponsored by IKEA, which was a pleasant twist – to talk about Hacking IKEA at an IKEA sponsored event.

One particularly rewarding part of the evening came after the talk, when people were chilling with a few beers. At the periphery of the main seating area were some sample IKEA domestic showroom units still in place from their 2010 catalogue launch, which was held in the same venue. As people began to relax, talk and move around, they rather instinctively began using the mock units as domestic spaces. Conversations were held around kitchen tables (as above), couches were colonised by groups of friends having leisurely conversations – it was fascinating to see these showrooms come to life as people spread out and began using them for their intended “real world” function, set inside the usually make believe world of a showroom. If the stoves had have been hooked up, dinner definitely would have been in the cards. Did the IKEA Hacker spirit break down some barriers? Maybe, maybe not. But that’s my story, and I’m sticking to it.

On Screen: "Parcours VIKEA" by Daredo

It was a hugely enjoyable time both in and outside of the talk, getting to know Oslo more courtesy of event organiser Paul Amble who gave me a tour of his favourite parts of the city, and also being able to spend time with some great people at IKEA, including Design Director Lars Engsman. Many thanks to everyone at IKEA and in Oslo.

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The reason is that largely, the old model is still at work – huge, expensive institutions are being built as vehicles for regeneration and as catalysts for the ‘creative economy’, but with very little attention being paid to the integration of these institutions into the creative fibre of the city or indeed to the business plans for the years to come. In short: a lot of hardware, and very little software. This isn’t a sustainable approach for the long-term, nor wise in the short-term in light of the global financial slowdown. So my approach, for both good times and bad, is to look in the opposite direction:

Focus on the Micro-Entrepreneur

Famed entrepreneur Mark Cuban said a very interesting thing when asked what his advice would be to President Elect Obama in steering the US out of its financial turmoil:

“Entrepreneurs that start and run small businesses will be the propellant in this economy. PE Obama needs to have the counsel of those who will take the real risk inherent in creating companies and jobs. Those who put their money and lives on the line with their business…Entrepreneurs will lead us out of this mess. Talk to them.”

The same principles apply to cities and their cultural and creative strategies. This isn’t the time to be investing in the urban macro, when the urban micro, specifically, the urban micro-entrepreneurs, are collectively a far more valid and adaptive force for change and revival in this climate. They are the software that’s needed to run the city’s hardware.

A prime example of how this hardware and software can combine to support the micro-entrepreneur is Sao Paulo’s Endossa.

Endossa is a collaborative store which caters to craftspeople, designers, independent musicians, inventors, foodmakers, and a wide cross-section of creatives “who devote their time to tactile ideas and need assistance to ‘publish’ them.” The principles of Endossa are as follows:

• Rent empty shelf boxes to every micro-entrepreneur who wants some space to sell products, without asking for sales commission.
• Any product can be sold in Endossa from bottles of chilies to handmade notebooks and its time on the shelf depends on demand: high sales means high visibility.
• Create a micro-community of young entrepreneurs and curious people who visit Endossa to get fresh inspiration from the creative pieces inside the store.

In addition to its “real world” benefits, an interesting side effect of the store is its ability to cross-over with online culture.

As shown in A Cor do Brasil’s flickr photo above, people have begun to promote not only their work, but their physical positioning in Endossa online, promoting both their work and the store, and enabling a comments thread online that feeds back to the physical store. The integration with Web 2.0 philosophies is intentional, as Endossa explains:

“Endossa works more like blogger or digg than as a search engine. The store allows everyone to “publish” their products and then lets customers “sort and rank” them through sales… There´s an algorithm. We call it the ‘Every Purchase is an endorsement’ mechanism. Basically it compares the size and location of a rented space with its revenue, and decides if the space can be rented again by the same brand next month.”

Cementing Endossa as a model of a software sensibility within the Sao Paulo creative economy is the reality that within their retail system, “new modules are being added all the time, depending upon the necessities identified by the user.”

Endossa is an exceptional example of the Focus on the Micro-Entrepreneur strategy. Stay tuned or get in touch for more.

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I’ll be addressing the congress on the development of creative urban environments – should be an interesting session, considering that my definition of what makes an urban environment creative challenges a lot of the usual notions. But I guess that’s why I’m there.

Joining me as keynote speakers at the congress will be Rem Koolhaas OMA, Charles Landry, Janis Dripe, chief architect of Riga City, and the economist Robert C. Kloosterman. For a list of the speakers and bios, go here. For more information on the World Urban Development Congress, go here.

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As part of Platform 21‘s excellent Checking Reality programme, I have been asked to give a talk on “Hacking Reality” this Friday at their space in Amsterdam, how the virtual world and digital culture is altering our interaction with the real world, in particular in the realm of street art and urban intervention. To read more about my talk, go here.

Friday 6 June, 20 00
Platform 21
Prinses Irenestraat 19
1077 WT Amsterdam

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Previously, on scottburnham.com…

As I wrote last week, I was an instructor for UQAM’s (University of Quebec in Montreal) Design International Masterclass. My workshop functioned as an creative urban laboratory to explore the objects and areas of the city with a new approach to design and the city: how can shared spaces, objects, visuals and aesthetics be created which invite creative participation by the public?

To say I was pleased with the outcome would be an understatement. For a more visual overview and a play-by-play in French, with a cameo by some of Montreal’s city officials who wanted to get inside the concept a bit more, go here.

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It’s been an inspiring week working with a team of about 40 advanced design students to explore the notion of urban intervention as a design process. The mission was simple: “The city as source material and canvas.” And with each day that passes, I’m continually impressed with the work coming out of the class. That, and the fact that the “Intervention Unit” van (above) is parked around the corner from the building. Coincidence?

Participating in these intense international workshops are always great fun – mostly because the students had to apply to get in, so they’re at their best, and also because the other guest lecturers from across the departments are all key players in their fields, so there’s also a great a vibe in the cafe in-between lectures, swapping ideas and contacts.

Come back soon for the flickr pool of resulting student work. You won’t be disappointed.

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